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Focus On... is broadcast every weekday from 12:00-13:00 GMT and features tracks by our artist (or event) of the week.
This week's featured artist: The Enid
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ProgArchives Reviews- REGAL WORM Pig Views (Crossover Prog, 2018)Review by kev rowland — Jarrod Gosling returns with his latest album, bringing in a few select guests to help out here and there, but as with the other Regal Worm albums he fully relishes the opportunity to showcase his skills on multiple instruments. Although he brings in pop mentalities and themes, these are heavily […]
- OBSCURA Diluvium (Tech/Extreme Prog Metal, 2018)Review by kev rowland — According to MMA, Obscura are a Technical Death Metal Band, while according to PA they are Tech/Extreme Prog Metal, and needless to say the truth probably falls somewhere between the two. I can understand why they are classified as Tech Death as that is definitely the majority of their sound, […]
- MARCO RAGNI The Wandering Caravan (Psychedelic/Space Rock, 2018)Review by kev rowland — Multi-instrumentalist and singer Marco Ragni is back with his latest album, and what an album it is. While he provides vocals, electric and acoustic guitars, bass, keyboards, mellotron, piano and mandolin he has also been joined by Dave Newhouse (sax, clarinet, flute, keyboards and woodwinds arrangements), Peter Matuchniak (lead guitar), […]
- JETHRO TULL 50 For 50 (Prog Folk, 2018)Review by Matti — - The first review for this compilation - As the title suggests, this 3-disc set celebrates the 50 years of Jethro Tull with 50 songs chosen by Ian Anderson himself. Each of 21 studio albums are represented. Anderson has written a one-page introduction to the set, and the 24-page booklet includes […]
- EL TUBO ELÁSTICO Impala (Post Rock/Math rock, 2018)Review by Rivertree — Funny band name! However, stylistically they are flexible definitely, no question. With the focus ondual guitar action and varied rhythm work, plus minimalistic keyboard respectively synthesizerattendance. Post/math bands often enough are sounding single tracked, when it comes to my taste, orare exaggerating their trickiness. Though here we have a well balanced […]
- SAMUEL CADIMA Uma Nova Realidade (Progressive Electronic, 2018)Review by DamoXt7942 — This single track has come up to us in the hot summer of 2018 as one of tracks in Samuel CADIMA's upcoming creation. In his debut album he launched trippy, dreamy texture along with his splendid electronic sound departure, and via this stuff, amazingly, his musical appearance's got more delightful and […]
- OBIYMY DOSCHU Son (Crossover Prog, 2017)Review by IconiK11 — I have enjoyed everything about this album: pure voice of the leading singer; the way Ukrainian (I assume) language is bringing some additional magic to the vocals; tenderness and drama brought by the strings quartet and flute; dynamic riffs of the guitar.The music of "Son" brings some beautiful nostalgia and a […]
- MYSTERY Lies And Butterflies (Neo-Prog, 2018)Review by The Jester — Almost a month ago, the Quebec-based Neo-Prog band Mystery, released its 7th studio album, whichis the 2nd with Jean Pageau on vocals. Since I enjoyed all of their latest albums, (starting withBeneath the Veil of Winter's Face), I added this new album of theirs almost immediately to mycollection. The album […]
- REDEMPTION Long Night's Journey Into Day (Progressive Metal, 2018)Review by javajeff — Let me start out by saying that I am a huge Ray Alder fan, and A Pleasant Shade Of Gray is afavorite album of mine that I play regularly. I love Fates Warning, so naturally Redemption hasbeen another progressive metal band to interest me with the Fates Warning connection. Ok, so […]
- MYSTERY Lies And Butterflies (Neo-Prog, 2018)Review by gertjanvm — Mystery is a typical example of a band that leans back in satisfaction. The sales will be high, fansare adoring the band. It's understandable the band wants to retain this success. But to record analbum with really 0.0 progression? Lies and Butterflies is no more or less than a long stretchedversion […]
- REGAL WORM Pig Views (Crossover Prog, 2018)
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