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This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24366&IdCompany=8

Legendary Dutch progressive rockers KAYAK are pleased to announce they will return with their 18th studio album ‘Out Of This World’ on the 7th May 2021. Following the bands return in 2018 with a new line-up, new record label and first new album since 2014 in ‘Seventeen’, the band are excited to reveal its eagerly awaited successor. 

Founding member Ton Scherpenzeel comments: “Many people seem to consider the past year as a lost year, due to Covid. I don’t. I am not saying it was great, but it made me realize, once more, how fragile we all are. How connected everything and everyone is, with actions and consequences that touch us all. And that, on a smaller scale, and much closer to home, the new Kayak album could only have turned out the way it did. More than ever, it is clear that working with each other on this level can never be taken for granted. It requires dedication, and respect for each other’s talents and input. That’s the foundation upon which Kayak in 2021 is built.

Watch a short teaser for the new album here: https://youtu.be/zo-YUX4RbWM

The first single from ‘Out of This World’ and the album pre-order will launch 19th February.

‘Out Of This World’, the band’s eighteenth studio album, with 15 new tracks, spanning 70 minutes of energetic and incredibly diverse material- though still very much recognizable as Kayak. It is clear that the new found energy has gained even more momentum since Hans Eijkenaar rejoined the group. Although they were forced to cancel all tours because Ton Scherpenzeel suffered a heart attack at the end of 2019, and immediately after that because of the Covid pandemic, we’re hearing a band that, since the demise of Pim Koopman in 2009, has not sounded more together, balanced and motivated. The current line-up of the band is as follows:

Ton Scherpenzeel – Keyboards, lead and backing vocals 
Bart Schwertmann – Lead and backing vocals 
Marcel Singor – Guitar, lead and backing vocals 
Kristoffer Gildenlöw – Bass, lead and backing vocals
Hans Eijkenaar- Drums

Kayak History:
KAYAK was formed in Hilversum, The Netherlands, back in 1972, by keyboard player Ton Scherpenzeel and drummer Pim Koopman who struck up a friendship in their early teens after meeting at a local volley ball club. They were committed to writing original material. With loads of melodic, symphonic songs in their pocket they recruited fellow music conservatory student Max Werner (lead vocals) and Johan Slager (guitar). After bass player Cees van Leeuwen joined, the first lineup of KAYAK was complete with the new band being signed by EMI Records being launched as a new supergroup. Their debut album ‘See See The Sun’(1973) featured a minor hit single , ‘Lyrics’, with ‘Mammoth’ and the title track also reaching the top 40. The album sold well in Holland, earning the band significant critical acclaim and developing a growing army of passionate followers. 

After a series of successful albums and several hit singles in their homeland KAYAK was on the verge of an international breakthrough in 1977 when the single ‘Want you to be Mine’, from ‘Starlight Dancer’ achieved chart success in the U.S, peaking at #55 in the Billboard Charts. KAYAK was even voted Most Promising Band of the Year by the influential American music magazine Record World. Due to the fact that charismatic lead singer Max Werner wanted to fill the vacant position of drummer meaning the band was suddenly without a lead singer, making it impossible to embark on an American tour. KAYAK focused on finding a vocalist instead. The search began with advertisements placed in British magazine ‘Melody Maker’, spotted by Edward Reekers, a huge fan of the band since the early days. Passing the audition with flying colors he became the new frontman for KAYAK and with the addition of two female singers the band returned to the recording studio to create their 6th album, the award winning ‘Phantom of the Night, which turned out to be their commercial peak. The blend of progressive rock and immaculate pop brought them phenomenal success. The album went to number one on the charts, reaching platinum status and ‘Ruthless Queen,’ became their highest charting single, (#4 in the Dutch charts). 

The next album, ‘Periscope Life’ (1980), was similar in style and recorded in Los Angeles. It consolidated KAYAK’s position as one of Holland’s most popular bands.
With their next effort, ‘Merlin’ (1981), KAYAK returned to its original progressive and symphonic rock roots, with a suite about the legendary medieval magician on side A. Many music fans considered this a milestone in the bands career. Personal and musical struggles within the band however led to a break up in 1982. The first era of KAYAK ended after the release of the semi live album ‘Eyewitness’. 

The next chapter in KAYAK’s career began in 2006 with ‘Kayakoustic’, presenting the now seven-piece band in an intimate setting.In the new millennium KAYAK was resurrected after an 18 year pause and came back with the strong symphonic crossover album ‘Close to the Fire’ (2000) with again Pim Koopman on drums and Max Werner on vocals. Unfortunately, due to ill health Max was soon forced to leave, with ex- Vandenberg singer Bert Heerink, who already joined the band on stage, taking over. With Heerink three studio albums were recorded, including the rock opera’s ‘Merlin – Bard of the Unseen’ and ‘Nostradamus – The Fate of Man’, their most ambitious efforts yet. The rock opera’s, dominated by longer, prog-based compositions, also showed KAYAK’s theatrical side with an extended cast of singers and dancers contributing to an impressive first rate live experience. It also marked the return of Edward Reekers and introduced Cindy Oudshoorn as first female lead singer. 

2008 was an important year celebrating their 35th anniversary and embarking on a large tour taking the group to the theaters and clubs. ‘The Anniversary Box’, a DVD containing the Paradiso concert as well as a collection of fan chosen tracks is released. 

The tragic, unexpected death of drummer and composer Pim Koopman one year later in the middle of the ‘Letters From Utopia’ tour almost led to KAYAK’s downfall, but two years later the group re- emerged with Hans Eijkenaar on drums and the album ‘Anywhere But Here’, dedicated to Koopman. After a period of two years preparing and recording the new rock opera ‘Cleopatra- The Crown of Isis’ was released in 2014. Shortly before the tour, lead singers Reekers and Oudshoorn unexpectedly and inconveniently announced their departure, leaving the band in disarray. But as they say “what doesn’t kill you makes you stronger” and like the proverbial cat with nine lives – in 2018 KAYAK came back with a vengeance and ‘Seventeen’.

Look out for more information on the bands 18th studio album ‘Out Of This World’ in the coming months

KAYAK online:
www.kayakonline.info
https://www.facebook.com/Kayak-209230952473801/
https://www.facebook.com/ton.scherpenzeel

This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24363&IdCompany=8

TRANSATLANTIC – the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – are pleased to announce their fifth studio album ‘The Absolute Universe’, set for release on the 5th February 2021. Representing the band’s first new music since 2014’s ‘Kaleidoscope’, with ‘The Absolute Universe’ the band have done something unique and created two versions of the record: ‘The Absolute Universe: The Breath Of Life (Abridged Version)’ & ‘The Absolute Universe: Forevermore (Extended Version)’.

Today they have launched the video for ‘Looking For The Light’, a track which features on both versions of ‘The Absolute Universe’. Watch it now here: https://youtu.be/OvhvY-vUkLI 

Mike Portnoy comments: “Looking For The Light is one of the heavier tracks on The Absolute Universe. In the tradition of Transatlantic sharing all lead vocals, this track gave me my showcase to deliver the lead vocals as it called for a bit more of an aggressive approach. 
This is one of the few tracks that remains primarily the same and appears on both versions of the album. However not content to keep it simple, the version included on the music video is actually a unique version which combines both Looking For The Light and its Reprise from later in the album into one combined version available only here in this video.

Watch the previously released video for ‘The World We Used To Know’ here:
https://youtu.be/xULvfo6rpvE 

Watch the previously released video for ‘Overture/Reaching For The Sky’ here:
https://youtu.be/SP5HwWbCQvg

Each album will be available on CD, LP & Digitally. But there will also be what has been called ‘The Absolute Universe: The Ultimate Edition’, which collects both versions together in one lavish package that includes 5LP’s, 3CD’s & a Blu-ray that includes a special mix that combines both versions into a third unique version in 5.1 surround sound with visuals and a behind the scenes documentary. All editions have artwork created by Thomas Ewerhard featuring the airship by Pavel Zhovba. 

As Mike Portnoy explains: “We’ve got two versions of this album. There is a two CD presentation, which is 90 minutes long, and a single one – that’s 60 minutes. However, the single CD is NOT merely an edited version of the double CD. They each contain alternate versions and even in some cases, new recordings. We wrote fresh lyrics and have different people singing on the single CD version tracks as compared to those on the double CD. Some of the song titles have also been changed, while others might remain the same, but compositionally what you’ll hear has been altered. You must appreciate that what we have done is unique. We revamped the songs to make the two versions different.” Pete Trewavas adds: “We did write some new music for the single CD, what’s more, there are also differences in the instruments used on some of the tracks across the two records.

The full list of formats is below, and you can pre-order now here:
https://transatlantic.lnk.to/TheAbsoluteUniverse

The Absolute Universe: The Breath Of Life (Abridged Version)’
Available as:
Single CD Edition, Gatefold 2LP+CD, or Digital Album

Track-listing:
1. Overture
2. Reaching For The Sky
3. Higher Than The Morning
4. The Darkness In The Light
5. Take Now My Soul
6. Looking For The Light
7. Love Made A Way (Prelude)
8. Owl Howl
9. Solitude
10. Belong
11. Can You Feel It
12. Looking For The Light (Reprise)
13. The Greatest Story Never Ends
14. Love Made A Way

‘The Absolute Universe: Forevermore (Extended Version)’
Available as:
2CD Edition, 3LP+2CD Boxset, or Digital Album

Track-listing:
Disc 1:
1. Overture
2. Heart Like A Whirlwind
3. Higher Than The Morning
4. The Darkness In The Light
5. Swing High, Swing Low
6. Bully
7. Rainbow Sky
8. Looking For The Light
9. The World We Used To Know

Disc 2:
1. The Sun Comes Up Today
2. Love Made A Way (Prelude)
3. Owl Howl
4. Solitude
5. Belong
6. Lonesome Rebel
7. Looking For The Light (Reprise)
8. The Greatest Story Never Ends
9. Love Made A Way

‘The Absolute Universe: The Ultimate Edition’
Limited Deluxe Clear 5LP+3CD+Blu-Ray Box-set – contained within a foil-finished lift-off box with extended 16-page LP booklet & 60x60cm poster. Includes both versions of the album over 5LP’s and 3CD’s, plus a Blu-Ray with 5.1 mix & documentary. Watch the trailer for the box here: https://youtu.be/vqWllzuScyA 

Blu-Ray Track-listing:
1. Overture (5.1 Surround Mix)
2. Reaching For The Sky (5.1 Surround Mix)
3. Higher Than The Morning (5.1 Surround Mix)
4. The Darkness In The Light (5.1 Surround Mix)
5. Take Now My Soul (5.1 Surround Mix)
6. Bully (5.1 Surround Mix)
7. Rainbow Sky (5.1 Surround Mix)
8. Looking For The Light (5.1 Surround Mix)
9. The World We Used To Know (5.1 Surround Mix)
10. The Sun Comes Up Today (5.1 Surround Mix)
11. Love Made A Way (Prelude) (5.1 Surround Mix)
12. Owl Howl (5.1 Surround Mix)
13. Solitude (5.1 Surround Mix)
14. Belong (5.1 Surround Mix)
15. Lonesome Rebel (5.1 Surround Mix)
16. Can You Feel It (5.1 Surround Mix)
17. Looking For The Light (Reprise) (5.1 Surround Mix)
18. The Greatest Story Never Ends (5.1 Surround Mix)
19. Love Made A Way (5.1 Surround Mix)
20. The Making of The Absolute Universe (Documentary)

Initial tracking began in September 2019 when the band met up in Sweden to write and arrange the new material. As Portnoy explains: “Over a period of 10-14 days, we mapped out the songs. Then we all went back to our home studios and did the recording. That’s the way we always do it. At one point, though, it was suggested that instead of doing what was by that time going to be a double album, we should just be content to do a single CD.”

What happened was that everything kept expanding and expanding,” recalls Stolt. “Therefore we decided it made sense to make it a double album. It was Pete and Neal who then came out and said they felt this would be too long, and we should reduce it to one…But we were already recording, and it didn’t seem feasible to cut it back. There were so many pieces that each of us loved in what we were planning and didn’t want to lose. That’s when we ended up in discussions over the best way forward.”

This album also marks a return to the concept album for Transatlantic. “Well, the idea of Transatlantic deciding to do a concept record this time around won’t shock anyone, right?” laughs Portnoy. “What we have is essentially one giant composition, split into chapters. The storyline is about the struggles facing everyone in society today.” “We didn’t start out with the idea of this being conceptual,” admits Stolt. “The way things work with us is that we have a load of ideas, and these are developed spontaneously when we meet up. Everything happens in the moment.

So, how does this new ground-breaking album compare to Transatlantic’s previous four albums?

I always try not to compare albums as much as possible,” insists Morse. “It’s very difficult when you’re trying to be creative, because your natural instinct is to constantly compare. But in order to create you have to kind of step away from that. Having said that, I would say this would have more in common with ‘The Whirlwind’ album (the band’s third, from 2009) than others that we’ve created.” 

For Trewavas, ‘The Absolute Universe’ is a momentous project.“I think it is right up there with the very finest albums we’ve done. As the others have said, it compares very well to ‘The Whirlwind’, which I believe represents Transatlantic at our best. As on that album, we took our time to write and arrange everything, and that shines through. I am very excited for people to hear it.

Transatlantic were originally formed in 1999, releasing their debut album ‘SMTPe’ the following year as well as its follow-up ‘Bridge Across Forever’ in 2001. Following a 7-year hiatus, the band reconvened to record and release the much-acclaimed epic 77-minute, single-track album ‘The Whirlwind’ followed by a world tour in 2010 which included an appearance at High Voltage Festival in London where they were joined by legendary Genesis guitarist Steve Hackett. The band’s fourth album ‘Kaleidoscope’ arrived in 2014, going on to win ‘Album Of The Year’ at the Progressive Music Awards.

TRANSATLANTIC online:
https://www.transatlanticweb.com/ 
https://www.facebook.com/TransatlanticMusic/ 
www.instagram.com/transatlanticofficial
www.twitter.com/transatlantic99

This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24364&IdCompany=8

Lyrically, and musically, the award-winning Dutch artist lays her soul bare with the most evocative record of her career – captivating song-stories told with acoustic guitars, strings, horns, percussion, and Anneke’s hypnotic vocal harmonies

Anneke van Giersbergen announced the release of her new solo album ‘The Darkest Skies Are The Brightest’ last year. Today sees the release of the second single and video of said album, called “Hurricane”.

Anneke comments on the single as follows: “For the new album I wrote a lot of songs filled with messages of love and heartache, but I also went on a more propulsive journey, with darker storytelling. The percussive opening groove of ‘Hurricane’ is maintained until a slightly ominous middle section. The track closes with heavy drums and a glorious trumpet solo.

You can watch the video here: https://youtu.be/T8PA4w1iSug 

‘The Darkest Skies Are The Brightest’ is available for pre-order. The album will be available as eco-friendly CD Digipak (plastic-free), as 180g Gatefold LP (incl. the album on CD) & as digital album. It will be released on February 26th, 2021.

Click here to pre-order the album: 
https://annekevangiersbergen.lnk.to/TheDarkestSkiesAreTheBrightest

“The Darkest Skies Are The Brightest” – Tracklist:
01. Agape
02. Hurricane
03. My Promise
04. I Saw A Car
05. The Soul Knows
06. The End
07. Keep It Simple
08. Lo And Behold
09. Losing You
10. Survive
11. Love You Like I Love You


The album’s title, ‘The Darkest Skies Are The Brightest’, refers to the idea that, when facing personal challenges, we are forced to find answers to life’s biggest questions. But, at this point in her near-three-decade-long music career, this solo album – and, crucially, the heartbreak that inspired it – was not something Anneke van Giersbergen ever anticipated writing.

In 2018, Anneke began working on new material for her metal band, VUUR. Although their debut album, ‘In This Moment We Are Free – Cities’, was met with a mixed reception, fans were warming up to their heavy, progressive sound. Therefore, a rapid follow-up album would surely establish Anneke’s return to fronting a metal band. However, behind the scenes, these were troubled times.

Anneke shares, ”My belief in VUUR saw me spend all my savings on recording VUUR’s debut album and taking the band on the road. After completing our first touring cycle, I realized that more VUUR would mean yet more, huge financial risks.

To make matters worse, in 2018, her long-lasting marriage, which had always been wonderful, unexpectedly saw a storm approaching. Anneke adds, “I instantly knew I needed to write music about fixing my life. This creative endeavour would be far too personal for a VUUR album. And it would also require solitude.

With just her acoustic guitar and basic recording gear, Anneke retreated to a small house near the woods, just outside her hometown of Eindhoven. She let go of the pressures of what VUUR’s future might be, and fell into the meditative process of writing a solo album. In 2019, work continued on the new songs. In 2020, Anneke asked her friend and producer, Gijs Coolen, to help finish the album.

Throughout the completion of the album, Anneke’s fragile, acoustic song-stories were fused together with an alchemy of panoramic strings, horns, and percussion. The resulting 11-track record has all the intimacy of Anneke serenading an audience of one, combined with surprising departures into swampier, foot-stomping grooves.

The Japanese art of kintsugi has inspired Anneke to use a repaired heart as the album’s symbol. Kintsugi teaches that bringing together the pieces of a broken object – with the use of a precious metal – adds value and uniqueness to it. And, instead of giving up on their marriage, Anneke and her husband decided to take the time to mend their bond. They now cherish the repaired heartbreak as something profoundly valuable. 

Their journey through this personal storm, and the album that Anneke created in the eye of it, proves that the darkest skies truly are the brightest. 

About Anneke van Giersbergen:

‘The Darkest Skies Are The Brightest’ is Anneke’s 23rd career album. It proves, once again, that the award-winning Dutch artist defies being pigeonholed by any genre. 

After thirteen years as the front woman for melancholic metallers, The Gathering, she struck out on her own in 2007. Since then, her creativity has known no bounds. Anneke quickly solidified a successful solo career (initially under the moniker Agua de Annique), and has recorded and performed with Canadian metal genius Devin Townsend multiple times. She has also lent her serene yet powerful voice to the likes of: Anathema, Icelandic folk group Árstíðir, Within Temptation, Ayreon mastermind Arjen Lucassen, Amorphis, and prog legend John Wetton.

2012’s ‘Everything is Changing’ was something of a milestone in Anneke’s solo career. The album, which was the first to be released under her own name, received two Edison Award nominations – Holland’s most prestigious music prize – in the categories ‘Best Female Artist’ and ‘Best Album’.
In 2015, Anneke van Giersbergen and Arjen Lucassen (Ayreon) released their collaborative album ‘The Diary’ under the name The Gentle Storm.
In October 2017, Anneke’s progressive metal outfit VUUR released their much-anticipated debut album. ‘In This Moment We Are Free – Cities’ entered the Dutch Album Top 100 at number 2, Anneke’s highest-ever chart position.

Forever the unpredictable artist, in late 2018, Anneke released ‘Symphonized’, an 11-track live orchestral album. It was recorded at two career-spanning concerts alongside Residentie Orkest The Hague, and features rearrangements of songs from her entire back catalogue.
2019 saw Dutch music copyright organisation Buma Cultuur honor Anneke with the Buma ROCKS! Export Award. This is their award for the Most Successful Dutch Artist Abroad in Heavy Music.
In 2021, the release of her new solo album ‘The Darkest Skies Are The Brightest’ will see Anneke surprise her fans all over again.

ANNEKE VAN GIERSBERGEN online
www.annekevangiersbergen.com
www.facebook.com/annekevangiersbergenofficial
https://instagram.com/annekeannique
https://twitter.com/AnnekeAnnique
www.youtube.com/AguaDeAnniqueMusic

This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24358&IdCompany=8

In October 2020, progressive rockers THE FLOWER KINGS released their new double album “Islands” on InsideOutMusic, just a year after the group’s much celebrated “Waiting For Miracles”. Today the band have launched a brand new video for the track ‘Black Swan’, and you can watch it now here: https://youtu.be/kv3-7HDz4Mw

Roine Stolt comments: “‘Black Swan’ was a little piano melody I wrote around spring 2019 – I thought of it as ‘Polish melancholic’ or a ballet piano piece. I did present a demo for the Transatlantic sessions but when it didn’t stick there I brought it along to the TFK ‘Islands’ session. Here it found its way in to the album and concept and with a slightly more dry guitar-driven sound and with nods to both The Beatles & Queen it became one of my favourite tracks. Hasse delivers some of his finest vocal on the album here.

With an epic length of 92 minutes, “Islands” offers all trademark sounds and melodies, the band is renowned for including vintage keys, brilliant guitar solos, odd drum patterns and symphonic elements. Rounded off by artwork courtesy of the legendary Roger Dean (Yes, Asia, Gentle Giant, Greenslade, Uriah Heep), THE FLOWER KINGS present a dynamic and complex record that is bold, bombastic and beautiful.

Watch the previously released videos below.
Morning News: https://www.youtube.com/watch?v=5ROkNn6Ng9o 
From The Ground: https://youtu.be/AANDQG4R3d4 
Broken: https://www.youtube.com/watch?v=z3vktAkbeRE 

“Islands” is now available as massive Limited 3LP & 2CD box set with slipcase and 180 gram vinyl housed in one gatefold, one single sleeve; as Limited Edition 2CD Digipak and Digital Album. 
Order here:
https://theflowerkings.lnk.to/IslandsID

Disc One (49:40)
1. Racing With Blinders On (4:24)
2. From The Ground (4.02)
3. Black Swan (5:53)
4. Morning News (4:01)
5. Broken (6:38)
6. Goodbye Outrage (2:19)
7. Journeyman (1:43)
8. Tangerine (3:51)
9. Solaris (9:10)
10. Heart Of The Valley (4:18)
11. Man In A Two Peace Suit (3:21)

Disc Two (43:01)
1. All I Need Is Love (5:48)
2. A New Species (5:45)
3. Northern Lights (5:43)
4. Hidden Angles (0:50)
5. Serpentine (3:52)
6. Looking For Answers (4:30)
7. Telescope (4:41)
8. Fool’s Gold (3:11)
9. Between Hope & Fear (4:29)
10. Islands (4:12)

Line-Up:
Roine Stolt – Vocal, Ukulele, Guitars, Additional Keyboards
Hasse Fröberg – Vocal & Acoustic Guitar
Jonas Reingold – Bass, Acoustic Guitar
Zach Kamins – Pianos, Organ, Synthesizers, Mellotron, Orchestrations
Mirko DeMaio – Drums, Percussion
Guest: Rob Townsend – Soprano Saxophone

THE FLOWER KINGS online:
https://www.roinestolt.com/
http://www.facebook.com/TheFlowerKings
https://www.instagram.com/roinestolt8112/
https://www.facebook.com/pale.rider.127

This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24357&IdCompany=8

2020 came to a close with LIQUID TENSION EXPERIMENT announcing their return and new album to be released on InsideOutMusic. Today, the legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) are pleased to officially announce that the new album ‘LTE3’ will be released on March 26th, 2021 via InsideOutMusic, twenty-two years after the bands’ last studio album

After over 20 years since the last time we recorded together, the four of us stepped into the studio and it was as if no time had passed at all! All of the magic that made the first two LTE albums so special was still there and we had such a great time making this record. I’m extremely proud of what we created together and can’t wait for everyone to hear it!
-John Petrucci

The best thing to come out of 2020 was this long-awaited reunion! And it was surely worth the wait as after all these years, the magic chemistry was still there and stronger than ever!
-Mike Portnoy

Tracklisting:
1. Hypersonic (8:22)
2. Beating The Odds (6:09)
3. Liquid Evolution (3:23)
4. The Passage Of Time (7:32)
5. Chris & Kevin’s Amazing Odyssey (5:04)
6. Rhapsody In Blue (13:16)
7. Shades Of Hope (4:42)
8. Key To The Imagination (13:14)

Bonus Disc: Includes almost an hour of improvised jams.

The pre-order will start on January 22nd 2021 and the album will be available as:
• Limited deluxe hot pink 3LP+2CD+Blu-ray Box Set (incl. a poster and 4 artcards, Blu-ray includes a 5.1 surround mix with visuals, and full band interview from the studio)
• Limited 2CD+Blu-ray Artbook
• Limited 2CD Digipak
• Gatefold black 2LP+CD
• Digital album (2CD)

Watch the recently released teaser trailer, created by Christian Rios, here: 
https://youtu.be/VRvCuDIMIzo 

In 1997, Mike Portnoy, John Petrucci, Jordan Rudess, and Tony Levin, joined forces to create Liquid Tension Experiment. The foursome would release their iconic, self-titled debut album in 1998 and the dazzling follow-up, LTE2 in 1999, creating a dynamic, frantic, and inventive sound all their own. The incredible creativity between the collective would prompt Petrucci and Portnoy to invite Rudess to join Dream Theater, effectively marking the end of this side project. However, since that time, there have been few reunions more in demand. Now, with the world in lockdown and calendars unexpectedly aligned, the inconceivable has finally happened… a new Liquid Tension Experiment album.

TONY LEVIN online:
https://www.facebook.com/tonylevinofficial
https://twitter.com/tonylevin
https://www.instagram.com/tonylevin/

JOHN PETRUCCI online:
https://www.facebook.com/johnpetrucciFB
https://twitter.com/JPetrucci
https://www.instagram.com/johnpetrucciofficial/

MIKE PORTNOY online:
https://www.facebook.com/mikeportnoyofficial
https://twitter.com/MikePortnoy
https://www.instagram.com/mikeportnoy/

JORDAN RUDESS online:
https://www.facebook.com/jordanrudessofficial
https://twitter.com/Jcrudess
https://www.instagram.com/jcrudess/

This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24356&IdCompany=8

Iconic guitarist Steve Hackett, releases his new acoustic album Under A Mediterranean Sky on 22nd January 2021 as a Limited CD Digipak, Gatefold 2LP + CD + LP-booklet and Digital Album via InsideOut Music. Under A Mediterranean Sky is Steve Hackett’s first acoustic solo album since Tribute in 2008 and takes inspiration from Steve’s extensive travels around the Mediterranean with his wife Jo.

Today sees the release of the third track from the album, and last before the album release. Watch the video for the enchanting ‘Sirocco’ here: https://youtu.be/gXnvNuq5djk 

Steve comments: “Visits to the vast and atmospheric Arabian and Sahara deserts of Egypt, Jordan and Morocco inspired this music.

Late last year he launched the second single from the album, the epic ‘Mdina (The Walled City)’. Listen now here: https://youtu.be/7LHxna8OoRw 

Watch the video for the first single ‘Andalusian Heart’ here: https://youtu.be/7QpPXqldanI 

The album is now available to pre-order as Limited CD Digipak, Gatefold 2LP + CD + LP-booklet and Digital Album here: https://stevehackett.lnk.to/UnderAMediterraneanSky 

Working closely with long-time musical partner Roger King, Hackett has used his time during 2020’s lockdown to take us on an extraordinary musical journey around the Mediterranean, painting vivid images of stunning landscapes and celebrating the diverse cultures of the region. Famed for his rock roots with Genesis, and through his extensive solo catalogue, Hackett demonstrates the exquisite beauty of the nylon guitar at times venturing into the exotic ethnic and often supported by dazzling orchestral arrangements.

A lot of acoustic ideas had been forming over the years, and it felt like the perfect time to create this album,” notes Hackett, “a time to contemplate the places we’ve visited around the Mediterranean with the kind of music which evolved from the world of imagination.
Because we can’t really travel, substantially at the moment, I hope that the album will take people on that journey. Whether you sit down and listen to it or drift off to it with a glass of wine…

Track Listing:
Mdina – The Walled City (Steve Hackett / Roger King)
Adriatic Blue (Steve Hackett)
Sirocco (Steve Hackett / Jo Hackett / Roger King)
Joie de Vivre (Steve Hackett / Jo Hackett)
The Memory of Myth (Steve Hackett / Jo Hackett / Roger King
Scarlatti Sonata (Domenico Scarlatti)
Casa del Fauno (Steve Hackett / Roger King)
The Dervish and the Djin (Steve Hackett / Jo Hackett / Roger King)
Lorato (Steve Hackett)
Andalusian Heart (Steve Hackett / Jo Hackett / Roger King)
The Call of the Sea (Steve Hackett)

Our journey around the Med begins on the island of Malta, in Mdina – The Walled City. It’s imposing strength is portrayed by Roger King’s dramatic orchestration while Hackett’s guitar weaves through the atmospheric streets describing the creativity, love and strength that held Malta together between all the waves of conflict.

With Hackett’s delicate guitar work, Adriatic Blue paints an enchanting view of stunning scenery as tall cliffs of forested mountains plunge into the deep blue sea along the Croatian coastline. Sirocco is altogether more atmospheric, inspired by the winds playing through the imposing structures of Egypt.

The lively Joie de Vivre expresses the unique sense of joy the French have through their wine, food and folk music, with paintings reflecting family gatherings, spectacular vistas and the vibrant colours of their cities. The art of dreaming is embodied in their sensual love of life.

At first hand, I’ve marvelled at the mystical whirling Dervishes,” says Hackett. Along with otherworldly beings such as the Djin (Genie) they sprang from Persia’s dreaming past. The Dervish And The Djin captures the extraordinary atmosphere of this most exotic of civilisations with the help of Hackett’s touring band regular – Rob Townsend’s soprano sax, the tar of Malik Mansurov (from Azerbaijan) and Armenian Arsen Petrosyan’s duduk. “Of course, those countries are virtually at war with each other,” Hackett adds, “and there has been something like a thousand casualties (at the time of writing) on both sides. Again, it’s a case of music being able to do things that politicians fail to do – something constructive.

The Memory of Myth embodies the deep and rich history of Greece and features the violin of Christine Townsend (no relation) while Lorato – ‘love’ in the language of the African Tswana tribe – is a pretty folk tune. Love is the force that heals and links all disparate peoples of the Mediterranean.

Hackett and his wife Jo were enchanted by the little Faun statue in the House of the Faun, Pompeii. “The villas there seemed to come back to life as we walked through those wonderful atriums and gardens,” inspiring Casa del Fauno and featuring the light and airy flute of Hackett’s brother John and Rob Townsend on flute.

The only non-original piece is Domenico Scarlatti’s Sonata. This embodies the Baroque music of Italy, a sensitive interpretation embellished with cross-string trills, a technique introduced to Hackett by the fine classical guitarist, the late Theo Cheng.

Hackett also expresses his admiration for the flamenco guitarists of Andalucía who are celebrated on Andalusian Heart. “One of the flamenco guitarists was showing me the extraordinary things they are able to do,” Hackett explains. “Seeing the gypsies playing and dancing in caves there, you get the feeling that these people are dancing for their lives.

Our journey comes to an end with The Call Of The Sea, a gentle and peaceful reflection of the vast body of water that unites the many civilisations both ancient and modern.

Under A Mediterranean Sky features Steve Hackett playing nylon, steel string and twelve string guitars, charango and Iraqi oud. Keyboards, programming and orchestral arrangements are by Roger King. Featured musicians are John Hackett and Rob Townsend, flute (Casa del Fauno); Malik Mansurov, tar and Arsen Petrosyan, duduk & Rob Townsend, Sax (The Dervish And The Djin); Christine Townsend, violin (The Memory of Myth and The Call Of The Sea). All tracks were produced by Steve Hackett and Roger King with all tracks recorded and mixed by Roger King at Siren.

I had a great time doing this album, seeing it take shape, and I’m very pleased with the outcome. I’m very proud of it,” says Hackett. “The nylon guitar has a very individual sound but, within the compass of what the nylon-strung guitar can do, there are a lot of different tones. You can do the full-on attack, the kind of salvo that you expect from the flamenco players but, at the same time, it can also be very gentle, gentle as a harp. It’s shades of black and white. It’s also exciting to play alongside instruments from around the world, as well as a wide range of orchestral sounds.

About Steve Hackett
Steve Hackett joined Genesis at the beginning of 1971 and gained an international reputation as the guitarist in the band’s classic line-up alongside Peter Gabriel, Tony Banks, Mike Rutherford and Phil Collins. Steve’s intricate guitar work was a key element of Genesis’ albums from Nursery Cryme (1971) to Wind And Wuthering (1977) including the classic Selling England By The Pound.

After leaving Genesis at the end of 1977, Steve’s solo career, which now spans more than 30 albums, has demonstrated his extraordinary versatility with both electric and acoustic guitar. Steve is renowned as both an immensely talented and innovative rock musician and a virtuoso classical guitarist and composer and this was recognised in 2010 when he was inducted into the Rock Hall Of Fame. He has also worked alongside Steve Howe of YES in the supergroup GTR.

Steve’s compositions take influences from many genres, including jazz, classical and blues. For his later studio works The Night Siren (2017) and At The Edge Of Light (2019) Steve has explored the influences of world music. Recent tours have seen Steve celebrate his time with Genesis including a spectacular 2018 tour in which Steve realised a long-held ambition to perform the works of Genesis live with his band and an orchestra. He recently released Selling England by the Pound & Spectral Mornings: Live at Hammersmith, a live recording of his hugely successful 2019 tour that saw him celebrating that Genesis classic, as well as the 40th anniversary of one of his most-loved solo albums.

STEVE HACKETT online:
www.hackettsongs.com
www.facebook.com/pages/Steve-Hackett/123101228589
www.twitter.com/HackettOfficial
http://hackettsongs.com/tour.html

This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24347&IdCompany=8

Iconic guitarist Steve Hackett, releases his new acoustic album Under A Mediterranean Sky on 22nd January 2021 as a Limited CD Digipak, Gatefold 2LP + CD + LP-booklet and Digital Album via InsideOut Music. Under A Mediterranean Sky is Steve Hackett’s first acoustic solo album since Tribute in 2008 and takes inspiration from Steve’s extensive travels around the Mediterranean with his wife Jo.

Today he launches the second single, the epic ‘Mdina (The Walled City)’. Listen now here: https://youtu.be/7LHxna8OoRw 

Steve comments: “At the centre of the Mediterranean, Malta has always been a crossroads, a battle ground and a cultural melting pot. Both it’s turmoil and its beauty are held within the ramparts of its walled city, Mdina, and celebrated in this track.

He recently launched the first single from the album, titled ‘Andalusian Heart’, and you can watch the video here: https://youtu.be/7QpPXqldanI 

The album is now available to pre-order as Limited CD Digipak, Gatefold 2LP + CD + LP-booklet and Digital Album here: https://stevehackett.lnk.to/UnderAMediterraneanSky 

Working closely with long-time musical partner Roger King, Hackett has used his time during 2020’s lockdown to take us on an extraordinary musical journey around the Mediterranean, painting vivid images of stunning landscapes and celebrating the diverse cultures of the region. Famed for his rock roots with Genesis, and through his extensive solo catalogue, Hackett demonstrates the exquisite beauty of the nylon guitar at times venturing into the exotic ethnic and often supported by dazzling orchestral arrangements.

A lot of acoustic ideas had been forming over the years, and it felt like the perfect time to create this album,” notes Hackett, “a time to contemplate the places we’ve visited around the Mediterranean with the kind of music which evolved from the world of imagination.
Because we can’t really travel, substantially at the moment, I hope that the album will take people on that journey. Whether you sit down and listen to it or drift off to it with a glass of wine…

Track Listing:
Mdina – The Walled City (Steve Hackett / Roger King)
Adriatic Blue (Steve Hackett)
Sirocco (Steve Hackett / Jo Hackett / Roger King)
Joie de Vivre (Steve Hackett / Jo Hackett)
The Memory of Myth (Steve Hackett / Jo Hackett / Roger King
Scarlatti Sonata (Domenico Scarlatti)
Casa del Fauno (Steve Hackett / Roger King)
The Dervish and the Djin (Steve Hackett / Jo Hackett / Roger King)
Lorato (Steve Hackett)
Andalusian Heart (Steve Hackett / Jo Hackett / Roger King)
The Call of the Sea (Steve Hackett)

Our journey around the Med begins on the island of Malta, in Mdina – The Walled City. It’s imposing strength is portrayed by Roger King’s dramatic orchestration while Hackett’s guitar weaves through the atmospheric streets describing the creativity, love and strength that held Malta together between all the waves of conflict.

With Hackett’s delicate guitar work, Adriatic Blue paints an enchanting view of stunning scenery as tall cliffs of forested mountains plunge into the deep blue sea along the Croatian coastline. Sirocco is altogether more atmospheric, inspired by the winds playing through the imposing structures of Egypt.

The lively Joie de Vivre expresses the unique sense of joy the French have through their wine, food and folk music, with paintings reflecting family gatherings, spectacular vistas and the vibrant colours of their cities. The art of dreaming is embodied in their sensual love of life.

At first hand, I’ve marvelled at the mystical whirling Dervishes,” says Hackett. Along with otherworldly beings such as the Djin (Genie) they sprang from Persia’s dreaming past. The Dervish And The Djin captures the extraordinary atmosphere of this most exotic of civilisations with the help of Hackett’s touring band regular – Rob Townsend’s soprano sax, the tar of Malik Mansurov (from Azerbaijan) and Armenian Arsen Petrosyan’s duduk. “Of course, those countries are virtually at war with each other,” Hackett adds, “and there has been something like a thousand casualties (at the time of writing) on both sides. Again, it’s a case of music being able to do things that politicians fail to do – something constructive.

The Memory of Myth embodies the deep and rich history of Greece and features the violin of Christine Townsend (no relation) while Lorato – ‘love’ in the language of the African Tswana tribe – is a pretty folk tune. Love is the force that heals and links all disparate peoples of the Mediterranean.

Hackett and his wife Jo were enchanted by the little Faun statue in the House of the Faun, Pompeii. “The villas there seemed to come back to life as we walked through those wonderful atriums and gardens,” inspiring Casa del Fauno and featuring the light and airy flute of Hackett’s brother John and Rob Townsend on flute.

The only non-original piece is Domenico Scarlatti’s Sonata. This embodies the Baroque music of Italy, a sensitive interpretation embellished with cross-string trills, a technique introduced to Hackett by the fine classical guitarist, the late Theo Cheng.

Hackett also expresses his admiration for the flamenco guitarists of Andalucía who are celebrated on Andalusian Heart. “One of the flamenco guitarists was showing me the extraordinary things they are able to do,” Hackett explains. “Seeing the gypsies playing and dancing in caves there, you get the feeling that these people are dancing for their lives.

Our journey comes to an end with The Call Of The Sea, a gentle and peaceful reflection of the vast body of water that unites the many civilisations both ancient and modern.

Under A Mediterranean Sky features Steve Hackett playing nylon, steel string and twelve string guitars, charango and Iraqi oud. Keyboards, programming and orchestral arrangements are by Roger King. Featured musicians are John Hackett and Rob Townsend, flute (Casa del Fauno); Malik Mansurov, tar and Arsen Petrosyan, duduk & Rob Townsend, Sax (The Dervish And The Djin); Christine Townsend, violin (The Memory of Myth and The Call Of The Sea). All tracks were produced by Steve Hackett and Roger King with all tracks recorded and mixed by Roger King at Siren.

I had a great time doing this album, seeing it take shape, and I’m very pleased with the outcome. I’m very proud of it,” says Hackett. “The nylon guitar has a very individual sound but, within the compass of what the nylon-strung guitar can do, there are a lot of different tones. You can do the full-on attack, the kind of salvo that you expect from the flamenco players but, at the same time, it can also be very gentle, gentle as a harp. It’s shades of black and white. It’s also exciting to play alongside instruments from around the world, as well as a wide range of orchestral sounds.

About Steve Hackett
Steve Hackett joined Genesis at the beginning of 1971 and gained an international reputation as the guitarist in the band’s classic line-up alongside Peter Gabriel, Tony Banks, Mike Rutherford and Phil Collins. Steve’s intricate guitar work was a key element of Genesis’ albums from Nursery Cryme (1971) to Wind And Wuthering (1977) including the classic Selling England By The Pound.

After leaving Genesis at the end of 1977, Steve’s solo career, which now spans more than 30 albums, has demonstrated his extraordinary versatility with both electric and acoustic guitar. Steve is renowned as both an immensely talented and innovative rock musician and a virtuoso classical guitarist and composer and this was recognised in 2010 when he was inducted into the Rock Hall Of Fame. He has also worked alongside Steve Howe of YES in the supergroup GTR.

Steve’s compositions take influences from many genres, including jazz, classical and blues. For his later studio works The Night Siren (2017) and At The Edge Of Light (2019) Steve has explored the influences of world music. Recent tours have seen Steve celebrate his time with Genesis including a spectacular 2018 tour in which Steve realised a long-held ambition to perform the works of Genesis live with his band and an orchestra. He recently released Selling England by the Pound & Spectral Mornings: Live at Hammersmith, a live recording of his hugely successful 2019 tour that saw him celebrating that Genesis classic, as well as the 40th anniversary of one of his most-loved solo albums.

STEVE HACKETT online:
www.hackettsongs.com
www.facebook.com/pages/Steve-Hackett/123101228589
www.twitter.com/HackettOfficial
http://hackettsongs.com/tour.html

This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24344&IdCompany=8

ALBUM DUE OUT IN SPRING 2021

TEASER TRAILER RELEASED TODAY!

The biggest music news of the year comes at the very end of 2020 as LIQUID TENSION EXPERIMENT announce their return with a new label and new album. The legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) have signed with InsideOutMusic for the release of their 3rd album. The album is set for a Spring 2021 release, 22 years after the bands’ last studio album.

What happens, when you put four of the most talented musicians on the planet in one room? LTE. We all have been waiting for this album to happen for a very long time and it makes us very proud to be releasing this album. This one is for the fans!” – Thomas Waber, InsideOutMusic Label Manager

We’ve all known Thomas Waber for a very long time and Jordan and I recently discovered how great it was to finally get to work together when Dream Theater joined the Inside Out family a few years ago. There really is no better home for LTE and we all look forward to doing great things together!” – John Petrucci

Myself, and John, have known Thomas Waber since we met on the very first Dream Theater European tour in 1993 … since then I have worked with him and Inside Out for the past 20 years with Transatlantic, The Neal Morse Band and Sons Of Apollo. When LTE finally reunited this summer, we knew there was no other label that we could call home” – Mike Portnoy

The band have released a new teaser trailer, created by Christian Rios, which you can see here: https://youtu.be/VRvCuDIMIzo

In 1997, Mike Portnoy, John Petrucci, Jordan Rudess, and Tony Levin, joined forces to create Liquid Tension Experiment. The foursome would release their iconic, self-titled debut album in 1998 and the dazzling follow-up, LTE2 in 1999, creating a dynamic, frantic, and inventive sound all their own. The incredible creativity between the collective would prompt Petrucci and Portnoy to invite Rudess to join Dream Theater, effectively marking the end of this side project. However, since that time, there have been few reunions more in demand. Now, with the world in lockdown and calendars unexpectedly aligned, the inconceivable has finally happened … a new Liquid Tension Experiment album.

Earlier this week, the Tony, Mike, Jordan, and John teased separate profile images on their social media pages with masks labeled with L-T-E-3 covering their respective faces. This was followed by the full band image on the band’s socials.

Stay tuned for more information in 2021!

TONY LEVIN online:
https://www.facebook.com/tonylevinofficial
https://twitter.com/tonylevin
https://www.instagram.com/tonylevin/

JOHN PETRUCCI online:
https://www.facebook.com/johnpetrucciFB
https://twitter.com/JPetrucci
https://www.instagram.com/johnpetrucciofficial/

MIKE PORTNOY online:
https://www.facebook.com/mikeportnoyofficial
https://twitter.com/MikePortnoy
https://www.instagram.com/mikeportnoy/

JORDAN RUDESS online:
https://www.facebook.com/jordanrudessofficial
https://twitter.com/Jcrudess
https://www.instagram.com/jcrudess/

This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24333&IdCompany=8

Polish progressive rock masters RIVERSIDE are releasing “Lost’n’Found – Live in Tilburg” today via InsideOutMusic.

A second live-video of the release is available today for “We Got Used To Us (Live in Tilburg)“, which was directed and edited by John Vis, to be seen here: https://youtu.be/EOv_OrJRMh4

Previously, the live-video for “Hyperactive (Live in Tilburg)” was launched here: https://youtu.be/_LEbGCGj5iM

RIVERSIDE’s Mariusz Duda checked in with the following comment about “Lost’n’Found – Live in Tilburg”:
It was a remarkable concert. During the “Love, Fear and the Time Machine Tour 2015”, the band were in excellent shape, and although we were promoting our more “song-oriented side”, we played such compositions as “Hyperactive” or “Egoist Hedonist”. On top of that, there is a 20-minute version of “Escalator Shrine” and a special, unique version of “The Same River” with a modified intro. The fact that it was one of the last concerts with Piotr Grudzinski makes it even more emotional and memorable. RIVERSIDE have always tasted best live. On this release, their music has an exceptional, unique flavour.

Previously only available as limited self-released fanclub/tour-edition, “Lost’n’Found – Live in Tilburg” marks a very special live-release which re-visits an outstanding performance at one of the biggest shows during RIVERSIDE’s European tour in 2015 for their acclaimed “Love, Fear and the Time Machine” album and also documents the group’s last tour with original guitarist and founding member Piotr Grudzinski († 2016, R.I.P.).

“Lost’n’Found – Live in Tilburg” is now made available widely as limited Mediabook 2CD+DVD (The concert is coming on DVD for the first time ever!), as Gatefold 3LP on 180g. vinyl with the full concert on two CD’s as bonus and as Digital Album.

“Lost’n’Found – Live in Tilburg” features 13 songs recorded on October 18th, 2015 at 013 in Tilburg, The Netherlands with a playing time of 104 minutes with the following track-listing for the CD, LP, DVD and Digital Album formats:

RIVERSIDE – “Lost’n’Found – Live in Tilburg”
1. Lost (Live in Tilburg) (07:56)
2. Feel Like Falling (Live in Tilburg) (05:36)
3. Hyperactive (Live in Tilburg) (05:29)
4. Conceiving You (Live in Tilburg) (05:04)
5. Panic Room (Live in Tilburg) (05:43)
6. Under The Pillow (Live in Tilburg) (06:48)
7. The Depth Of Self-Delusion (Live in Tilburg) (07:32)
8. Saturate Me (Live in Tilburg) (07:22)
9. Egoist Hedonist (Live in Tilburg) (07:22)
10. We Got Used To Us (Live in Tilburg) (05:37)
11. Escalator Shrine (Live in Tilburg) (20:25)
12. The Same River (Live in Tilburg) (13:03)
13. Found (Live in Tilburg) (05:48)

The Gatefold 3LP+2CD edition of the album is available on 180g. vinyl in the following versions:
Black vinyl – unlimited
Orange vinyl – 300x copies via IOM Webshop / CM Distro Europe – Sold out!
Opaque hot pink vinyl – 300x copies via Burning Shed
Clear vinyl – 300x copies via JPC
Blue vinyl – 200x copies via Just For Kicks

You can order the live release in its various formats here: 
https://riverside.lnk.to/LostNFoundLiveInTilburg/

In other news, RIVERSIDE’s legendary “Out Of Myself” debut-album from 2003 is receiving a much overdue re-issue and first ever release via InsideOutMusic worldwide (Outside of Poland!): Already available digitally via all download/streaming outlets by now, the new physical editions will be released on February 12th, 2021

“Out Of Myself” will be made available as Special Edition CD Digipak & Sticker and as LP on 180g vinyl, with the entire album on CD as bonus- This re-issue also comes with artwork by Travis Smith (Opeth, Devin Townsend, Psychotic Waltz, etc.) and was re-mastered by Dan Swanö / Unisound (Katatonia, Opeth, Nightingale, etc.).

Here is the track-listing for RIVERSIDE’s “Out Of Myself”:

1. The Same River (12:02)
2. Out Of Myself (03:43)
3. I Believe (04:14)
4. Reality Dream (06:15)
———————————-
5. Loose Heart (04:50)
6. Reality Dream II (04:45)
7. In Two Minds (04:38)
8. The Curtain Falls (07:59)
9. OK (04:47)

The re-issue of “Out Of Myself” on vinyl will be available in the following versions and limitations:

Black LP+CD – unlimited
Orange LP+CD – 100x copies from IOM webshop Europe
Clear LP+CD – 200x copies from IOM webshop Europe
Grey LP+CD – 400x copies from CM Distro Europe
Bright gold LP+CD – 200x copies from JPC
Yellow LP+CD – 200x copies from Burning Shed
Transp. petrol green LP+CD – 300x copies from Just For Kicks
Light pink LP+CD – 200x copies from Nuclear Blast
Transp. red LP+CD – 100x copies from Riverside
Creamy white LP+CD – 300x copies from IOM USA

The pre-order for the physical versions of the “Out Of Myself” re-issue is starting today here: 
https://riverside.lnk.to/OutOfMyself

Previously, RIVERSIDE released a special edition 2CD+DVD version of their latest and highly successful studio-album “Wasteland”. The ”Wasteland – Hi-Res Stereo and Surround Mix” 2CD+DVD comes as Digipak format with an additional Slipcase and includes a DVD bonus disc of “Wasteland” as Hi-Res Stereo 24bit version and as Surround Mix (4.1), plus 3 video clips. This edition also contains 5 previously unreleased acoustic tracks/versions on a separate CD. 

You can still order RIVERSIDE’s ”Wasteland – Hi-Res Stereo and Surround Mix” 2CD+DVD as well as other catalogue titles here: https://Riverside.lnk.to/WastelandHi-ResStereoAndSurroundMix

The acoustic tracks/versions of the “Acoustic Session” are also available as separate Digital EP here: https://Riverside.lnk.to/AcousticSessionEP

Check a static video for the “Out Of Myself – Acoustic” track here: https://youtu.be/bCrBtc4AHLQ

And check out clips related to RIVERSIDE’s “Wasteland” album here:
“Lament”: https://youtu.be/4Wqlts7QWA8
“River Down Below”: https://youtu.be/ZS1crIkpnwc
“Vale Of Tears”: https://youtu.be/001IMO53JwY
“Wasteland”: https://youtu.be/6dLf45s67hM
“Wasteland” (live clip): https://youtu.be/-ygv3BBqv3U
“Vale Of Tears” (live clip): https://youtu.be/iPOFthH3584

And stay tuned for more RIVERSIDE new soon…

RIVERSIDE online:
http://www.riversideband.pl
http://www.facebook.com/Riversidepl
https://www.instagram.com/riversideband.pl

This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=24334&IdCompany=8

TRANSATLANTIC – the Prog Supergroup of Neal Morse, Mike Portnoy, Roine Stolt & Pete Trewavas – are pleased to announce their fifth studio album ‘The Absolute Universe’, set for release on the 5th February 2021. Representing the band’s first new music since 2014’s ‘Kaleidoscope’, with ‘The Absolute Universe’ the band have done something unique and created two versions of the record: ‘The Absolute Universe: The Breath Of Life (Abridged Version)’ & ‘The Absolute Universe: Forevermore (Extended Version)’.

Today they have launched the video for ‘The World We Used To Know’, taken from ‘The Absolute Universe: Forevermore (Extended Version)’. Watch it now here: https://youtu.be/xULvfo6rpvE 

Mike Portnoy comments:
The 2nd release from the upcoming Transatlantic album ‘The Absolute Universe’ features our Swedish Genie Mr Roine Stolt on lead vocals (in contrast to the 1st release which featured Neal, Pete & I sharing the lead vocals). 
This piece also opens with another extended instrumental intro where I get to utilize my best Keith Moon acrobatics and leads to Roine’s beautiful, melodic vocals on the verses and choruses in the body of the song and climaxes with a majestic section with Neal Morse taking the lead vocal and one of the album’s main musical reoccurring themes. 
This portion of the album closes out Disc 1 of the 2 CD version of the album ‘Forevermore’.”

Watch the previously released video for ‘Overture/Reaching For The Sky’ here: https://youtu.be/SP5HwWbCQvg

Each album will be available on CD, LP & Digitally. But there will also be what has been called ‘The Absolute Universe: The Ultimate Edition’, which collects both versions together in one lavish package that includes 5LP’s, 3CD’s & a Blu-ray that includes a special mix that combines both versions into a third unique version in 5.1 surround sound with visuals and a behind the scenes documentary. All editions have artwork created by Thomas Ewerhard featuring the airship by Pavel Zhovba. 

As Mike Portnoy explains: “We’ve got two versions of this album. There is a two CD presentation, which is 90 minutes long, and a single one – that’s 60 minutes. However, the single CD is NOT merely an edited version of the double CD. They each contain alternate versions and even in some cases, new recordings. We wrote fresh lyrics and have different people singing on the single CD version tracks as compared to those on the double CD. Some of the song titles have also been changed, while others might remain the same, but compositionally what you’ll hear has been altered. You must appreciate that what we have done is unique. We revamped the songs to make the two versions different.” Pete Trewavas adds: “We did write some new music for the single CD, what’s more, there are also differences in the instruments used on some of the tracks across the two records.

The full list of formats is below, and you can pre-order now here: https://transatlantic.lnk.to/TheAbsoluteUniverse

The Absolute Universe: The Breath Of Life (Abridged Version)’
Available as:
Single CD Edition, Gatefold 2LP+CD, or Digital Album

Track-listing:
1. Overture
2. Reaching For The Sky
3. Higher Than The Morning
4. The Darkness In The Light
5. Take Now My Soul
6. Looking For The Light
7. Love Made A Way (Prelude)
8. Owl Howl
9. Solitude
10. Belong
11. Can You Feel It
12. Looking For The Light (Reprise)
13. The Greatest Story Never Ends
14. Love Made A Way

‘The Absolute Universe: Forevermore (Extended Version)’
Available as:
2CD Edition, 3LP+2CD Boxset, or Digital Album

Track-listing:
Disc 1:
1. Overture
2. Heart Like A Whirlwind
3. Higher Than The Morning
4. The Darkness In The Light
5. Swing High, Swing Low
6. Bully
7. Rainbow Sky
8. Looking For The Light
9. The World We Used To Know

Disc 2:
1. The Sun Comes Up Today
2. Love Made A Way (Prelude)
3. Owl Howl
4. Solitude
5. Belong
6. Lonesome Rebel
7. Looking For The Light (Reprise)
8. The Greatest Story Never Ends
9. Love Made A Way

‘The Absolute Universe: The Ultimate Edition’
Limited Deluxe Clear 5LP+3CD+Blu-Ray Box-set – contained within a foil-finished lift-off box with extended 16-page LP booklet & 60x60cm poster. Includes both versions of the album over 5LP’s and 3CD’s, plus a Blu-Ray with 5.1 mix & documentary. Watch the trailer for the box here: https://youtu.be/vqWllzuScyA 

Blu-Ray Track-listing:
1. Overture (5.1 Surround Mix)
2. Reaching For The Sky (5.1 Surround Mix)
3. Higher Than The Morning (5.1 Surround Mix)
4. The Darkness In The Light (5.1 Surround Mix)
5. Take Now My Soul (5.1 Surround Mix)
6. Bully (5.1 Surround Mix)
7. Rainbow Sky (5.1 Surround Mix)
8. Looking For The Light (5.1 Surround Mix)
9. The World We Used To Know (5.1 Surround Mix)
10. The Sun Comes Up Today (5.1 Surround Mix)
11. Love Made A Way (Prelude) (5.1 Surround Mix)
12. Owl Howl (5.1 Surround Mix)
13. Solitude (5.1 Surround Mix)
14. Belong (5.1 Surround Mix)
15. Lonesome Rebel (5.1 Surround Mix)
16. Can You Feel It (5.1 Surround Mix)
17. Looking For The Light (Reprise) (5.1 Surround Mix)
18. The Greatest Story Never Ends (5.1 Surround Mix)
19. Love Made A Way (5.1 Surround Mix)
20. The Making of The Absolute Universe (Documentary)

Initial tracking began in September 2019 when the band met up in Sweden to write and arrange the new material. As Portnoy explains: “Over a period of 10-14 days, we mapped out the songs. Then we all went back to our home studios and did the recording. That’s the way we always do it. At one point, though, it was suggested that instead of doing what was by that time going to be a double album, we should just be content to do a single CD.”

What happened was that everything kept expanding and expanding,” recalls Stolt. “Therefore we decided it made sense to make it a double album. It was Pete and Neal who then came out and said they felt this would be too long, and we should reduce it to one…But we were already recording, and it didn’t seem feasible to cut it back. There were so many pieces that each of us loved in what we were planning and didn’t want to lose. That’s when we ended up in discussions over the best way forward.”

This album also marks a return to the concept album for Transatlantic. “Well, the idea of Transatlantic deciding to do a concept record this time around won’t shock anyone, right?” laughs Portnoy. “What we have is essentially one giant composition, split into chapters. The storyline is about the struggles facing everyone in society today.” “We didn’t start out with the idea of this being conceptual,” admits Stolt. “The way things work with us is that we have a load of ideas, and these are developed spontaneously when we meet up. Everything happens in the moment.

So, how does this new ground-breaking album compare to Transatlantic’s previous four albums?

I always try not to compare albums as much as possible,” insists Morse. “It’s very difficult when you’re trying to be creative, because your natural instinct is to constantly compare. But in order to create you have to kind of step away from that. Having said that, I would say this would have more in common with ‘The Whirlwind’ album (the band’s third, from 2009) than others that we’ve created.” 

For Trewavas, ‘The Absolute Universe’ is a momentous project.“I think it is right up there with the very finest albums we’ve done. As the others have said, it compares very well to ‘The Whirlwind’, which I believe represents Transatlantic at our best. As on that album, we took our time to write and arrange everything, and that shines through. I am very excited for people to hear it.

Transatlantic were originally formed in 1999, releasing their debut album ‘SMTPe’ the following year as well as its follow-up ‘Bridge Across Forever’ in 2001. Following a 7-year hiatus, the band reconvened to record and release the much-acclaimed epic 77-minute, single-track album ‘The Whirlwind’ followed by a world tour in 2010 which included an appearance at High Voltage Festival in London where they were joined by legendary Genesis guitarist Steve Hackett. The band’s fourth album ‘Kaleidoscope’ arrived in 2014, going on to win ‘Album Of The Year’ at the Progressive Music Awards.

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